Author Archives: ascruffyandscentladenframe

A Foreigner By Any Other Name: 阿凸仔/阿兜仔/阿啄仔

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Zanni_maskI came across the (somewhat controversial) Taiwanese phrase for (non-Asian) foreigner 「阿凸仔」 in a book I’m reading at the minute:

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檢查過了一圈，這屋內看不出有什麼不尋常之處。總不會是照片中的人在說話吧？明明聽到的那句是中文，可這些都是阿凸仔啊！

He checked all around but couldn’t see anything out of the ordinary. It couldn’t have been the people in the photographs talking, surely? The words he’d heard had clearly been in Chinese, but they were all foreigners!

There are a lot of weird and wonderful stories about the origin of the term 「阿凸仔」, from the rather far-fetched concept that it was adopted from the Japanese pronunciation of the English “a dog” to the more common theory that it refers to the high-bridge noses of non-Asians compared to Asian people. I tend to put more stock in the latter theory.

The Taiwanese Ministry of Education dictionary uses the characters 阿啄仔 and the pronunciation as a-tok-á, which translates to “Beaky” – as in “You’ve got a beak on your face, Beaky,” or as the MOE puts it:

因為洋人的鼻子高挺，所以用「啄」(tok)來代稱洋人。

Because Westerners’ noses protrude, so 「啄」(tok) “beak” is used to refer to Westerners.

There’s also a synonym 啄鼻仔 tok-phīnn-á (beak-nose-diminutive particle), which I’ve yet to hear mentioned in conversation or see written down.

Whether you like the term or hate it, it’s something you’ll hear a lot in Taiwan – generally no harm is meant by it, but if you hear a 「死阿啄仔」 sí a-tok-á (fucking foreigner/dead beaknose) followed by a list of other expletives, it might be time to start running.

The term has even been re-appropriated by a Spanish guy called Jesus living in Taiwan, on his Youtube channel  「阿兜仔不教美語」 (This foreigner doesn’t teach American English). I would advise you all not to troll him by leaving comments on his videos asking where he teaches English… (Mwahaha).

Mask image courtesy of Tom Banwell under a Creative Commons License.

Taiwanese: Little Monkey 猴囡仔 kâu-gín-á

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A few years ago I was digging around trying to find some good Chinese-language podcasts to listen to when I came across an old radio program which had been archived online called 「真情酷兒」(Sincere Queer). As I was working on a piece for eRenlai involving the gay rights movement in Taiwan I got in touch with the presenter of the program Vincent Huang. I ended up interviewing him on his role as an activist for gay and disabled rights as well as disabled rights within the LGBTI community, which you can view below:

Vincent has recently relaunched the program on another platform, branding it 「真情酷兒1.0」(Sincere Queer 1.0). In the 「年夜飯」(Lunar New Year’s Eve dinner) edition, he talks to Taiwanese gay couple He Xiang and Wang Tian-ming (何祥和王天明) – featured in an Isabelle gay wedding cake (喜餅) commercial that got a lot of media attention when it came out- who have been together now for over 30 years. You can watch the commercial below:

The podcast is an interesting look into what it’s like to be an out gay couple in Taiwan, particularly on family occasions. As well as this, at around 7:37 in the download version of the podcast, the presenter uses the Taiwanese word 「kâu-gín-á」 (alternative Taiwanese audio here) in the context of the following Chinese sentence concerning mahjong:

「 雖然他們需要耐心，跟我這個kâu-gín-á打麻將。」

Although they need patience, to play mahjong with a … like me.

I’d heard the word “gín-á” or 「囡仔」 meaning children before, but not with the prefix “kâu” added. This rather appropriately for the time of year, turns out to mean “monkey”. So the term 「猴囡仔」 kâu-gín-á literally means an infant monkey, but is used in an affectionate way to refer to human children, in much the same way as we sometimes refer to kids as “little monkeys”. Here it is used as a form of self-effacement, in that he is referring to himself as relatively young and not as skilled at mahjong as his boyfriend’s mother. This kind of code-mixing between Taiwanese and Chinese is particularly common when it comes to humor, so it’s always good to learn Taiwanese if you want to be able to get the joke in conversations.

If you’ve learned any new Taiwanese expressions that you’d like to share with me over the Lunar New Year break or have any questions you can comment below or contact me.

Non-Cangjie Geeks Should “Avoid” This Article (Snort)

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I was doing an exam on a computer when I came across 「免」(avoid), and couldn’t for the life of me remember how to write it in cangjie. This is because the font on my computer used a variant form of 「免」, as below:

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According to cangjie logic this should be written 尸竹日竹山(shahu), with the 刀 similar to that on the top right part of 「解」(弓月尸竹手/nbshq), but, of course 免 is written 弓日竹山(nahu), following the logic of 色。

One other variant of 免 bears a striking resemblance to 「兑」 the simplified version of the character 「兌」(dui4/ㄉㄨㄟˋ to exchange).

Curious if anyone knows what fonts feature the variant of 「免」, I also wonder if there are any plans (as unproductive a goal as it may be) to add variants to unicode, as I think they add something to the language.

If you have an unhealthy obsession with Chinese characters and want to share some of your observations, you can contact me or comment below.

If you want to see a similar post to this one, click here.

It’s Art… Don’t Rely on it 「倚靠」跟「依賴」

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As I was wandering through the Takashi Ohta Paper Museum Expo (being held at Huashan Creative Park Dec 19- Feb 29) I did a double take, when I saw this sign above many of the pieces of art:

12660271_10102331381795969_290275658_n Although I’ve tired slightly of all but the most bizarre Chinglish signage, I thought this one was of note because it can be read as a covert injunction to aspiring paper artists everywhere – “Don’t rely on this kind of work, man.”

To be fair to the Chinglish offender in question, the word 「倚靠」(yi3kao4/ㄧˇ ㄎㄠˋ) in Chinese can mean both “to lean on” and “to rely on”, in the same sense as in English, “leaning on someone” can be extended to mean “relying on someone” (依賴 yi1lai4/ㄧ ㄌㄞˋ）. Having had dealings with the kind of people who run these events in Taiwan, I also know that they have about a billion things to do and very little time and money to do them, so we can’t be too hard on them, and where would we be without something to snigger at.

The exhibition was quite cool, I’ll limit myself to posting the scene from Ximen in Taiwan:

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Photo taken at exhibition, will remove on request

The rest you’ll have to explore for yourselves.

Awkwardly Phrased Passive Aggressive Note

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親愛的鄰居，
此處 禁止
蹓狗時，狗狗
在此隨地大便
~感謝您的留意~
Dear neighbours,
In this place it is forbidden
When walking a dog, for the dog
To shit anywhere here
~Thanks for your attention

The text I’ve marked in bold (thinner characters on the note in the photo) as if it was added on later, which suggests the person who wrote it was inadvertently accusing his or her neighbours of having a sneaky No. 2 in the alley while walking their dogs before realizing their mistake. They do not seem to have been arsed to redo the whole thing after putting a bit of effort into the ornate characters only to realize their mistake, which resulted in the sign being posted with rather odd grammatical structures. The “此處” (this place) makes the “在此” (here) a little unnecessary and the juxtaposition of “在此” (here) and “隨地” (anyplace/wherever one pleases) is a little odd too, as if the author thought that people might not realize that “anyplace” is inclusive of “here”.

There’s also a pseudo-typo, in that 「遛狗」 is the more accepted way of saying “to walk a dog”, as opposed to the 「蹓狗」 written here. The character 「蹓」 comes from 「蹓躂」, a variant of 「遛達」 meaning to stroll, or to walk. Technically 「蹓」 can be seen as a variant, but doesn’t seem to be accepted as correct. When you type 「蹓狗」 into Google for example, you get the following prompt:

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The search results that are currently displayed are from: 「遛狗」

You can change back to search for: 「蹓狗」

「遛狗」 fetches 1,060,000 results, whereas 「蹓狗」 only fetches 181,000, which suggests it’s not in standard use. I think these little idiosyncrasies are what make handwritten notes like this so interesting, as they inadvertently reveal certain characteristics of their authors.

After receiving some complaints about my previous post being more “openly aggressive” rather than “passive aggressive”, I think the 「新愛的 (scatological) 鄰居」 line makes this more of a passive aggressive post.

Let me know if you see any passive aggressive (or openly aggressive) notes in your area and feel free to submit anything you want featured!

Comfort Women and Post Election Thoughts

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Spotted this sign recently just beside the Zhongzheng Bridge between Yonghe and Taipei:

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It reads:

The Japanese government should apologize and provide reparations for coercing comfort women during World War II

Created by Wei-Shyue Chang

The subtext of this sign is the recent Taiwanese history textbook controversy over proposed changes to the high school curriculum which pushed for a (slightly) less rosy view of the period of Japanese colonial rule in Taiwan, including using the term coercion when it came to the comfort women issue, Continue reading →

Smear before bedtime in Taipei’s 8th electoral district 台北8號選區立委選舉抹黑戰爭

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As the legislative and presidential elections draws near in Taiwan, politics is in the air… and on buses and on every street corner.

If anyone missed the first part of the presidential candidate debate on Dec. 27, you can view Part 1 here:

The next one is on Jan. 2 at 2pm.

Meanwhile, in District 8, independent Lee Ching-yuan (whose KMT membership was revoked in July due to his opposition to then KMT presidential candidate Hung Hsiu-chu) is gunning for incumbent legislator Lai Shih-bao. He’s released two leaflets with the intention of smearing Lai, both on the basis of whether he’s actually living in the district and his alleged incompetence in dealing with food-safety issues surrounding the Ting Hsin oil scandal.

The first leaflet attacking Lai on the Ting Hsin scandal is below:

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The first page of the

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What I’m Reading Dec 2015-Jan 2016 我最近在看什麼書？

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Just a quick update on what I’ve been reading and what I plan to read over the coming months.

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I bought a book called 《斷代》 by  Taiwanese author Kuo Chiang-sheng (郭強生) after the salesperson recommended it at the GinGin Bookstore and have just begun to read it. I suspect the title is a piece of wordplay, as it can mean “to divide between distinct periods of history” and by extension hints that the book goes into the division between the older and younger generation of gay men in Taipei and the driving ideologies behind their attitudes (this certainly seems to be the case from what I’ve read so far); in addition to this, however, 「斷」 also means “cut” and 「代」can mean “successor” – which suggests the title also points to the gay experience as the final generation of a family (in that they cannot reproduce). This put me in mind of a passage from Chu Tien-wen’s (朱天文) brilliant Notes of a Desolate Man (《荒人手記》):

我站在那裡，我彷彿看到，人類史上必定出現過許多色情國度罷。它們像奇花異卉，開過就沒了，後世只能從湮滅的荒文裡依稀得知它們存在過。因為它們無法擴大，衍生，在愈趨細緻，優柔，色授魂予的哀愁凝結裡，絕種了。

《荒人手記》，朱天文，時報文化，二版，臺北市，65頁

Translated by the talented Howard Goldblatt Continue reading →

Passive Aggressive Notes: The Politics of Trash 消極抵抗的紙條：垃圾政治

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Following on from my past post on the passive aggression that results from the limited parking spaces in Taipei, I thought I’d follow up with a similar post about rubbish, after seeing this sign, on a street in the Daan district of Taipei:

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If you live in Taipei you’ve probably seen a whole heap of signs similar to this, but the hysterical tone and the interesting use of punctuation of this particular one made it stand out for me. It reads:

Can’t you have the least shred of decency? Don’t pile rubbish up here!!?? Dogs come here to eat it every day and there is shit everywhere.

If you don’t live in Taiwan you may be unfamiliar with the system. Basically, you have to buy special bags at convenience stores to put rubbish in, then at a certain time  every day the rubbish trucks will come to the end of your street. Unlike in the UK, you

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‘Collecting Gods’ by Wu I-Wei 吳億偉的〈撿神〉英文翻譯

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lord_guangWu I-Wei (吳億偉) has won numerous awards including the United Daily Press Literary Award for Fiction, the China Times Literary Award for Fiction and Essays, the United Literature Monthly Literary Award for Fiction, and the Liberty Times Lin Rungsan Literary Award for Short Essays. He published his new collection of essays, Motorbike Days (《機車生活》), in 2014 and is now a PhD candidate at the Institute of Chinese Studies at the University of Heidelberg in Germany and regularly reports the latest German literature news for Taiwanese magazines and newspapers. View an excerpt of a previous translation of his work here. This story, ‘Collecting Gods’, won the Jury Short Story Prize at the 30th China Times Literary Awards in 2007. A slightly different version of the original Chinese story can be found here.

The outside of the embankment was still a deep green in early autumn, the only exception being the cotton-like grey of the miscanthus ears, spreading out in a continuous unbroken strip of their own, the branches appearing a lot softer when in the wind. Amidst the rustling of the leaves and grass, one could hear a clacking sound, like something was rolling toward the riverside. Pushing aside the undergrowth as she went, an old hunch-backed woman dragged a ragged looking old pram along the ground. The frilly lace on it had already gone black and it was full of plastic bottles and sheets of used paper. She looked hesitantly in all directions as she made her way onward, her body lowered to enable her easier access to the ground. The rickety wheels continued to clack as she made her way along the riverbank searching for anything of value.  Behind her ran a line of corrugated iron shacks and across a few loofah trellises, was a small path, cut out among the weeds, leading to a little temple, with a roof of red glazed tiles and mottled yellow walls with several scars, as if marked by lightning. The door was wide enough for a person to pass through with their arms outstretched and the statues of the lords of the three realms – the heavens, the earth and the waters – stood fixed on a platform under the roof, golden crowns on their heads and beards down to their chests, each holding a tablet underlining their divine authority, clothed in official garb of glistening divine gold.

Continue reading →