You may have noticed a severe uptick in the use of chicken and duck emojis in recent days all over social media:
Why you might ask? 雞 jī and 鴨 yā put together are a homonym of the word 羈押 jīyā for “arrest/detention” relating to Ko Wen-je’s much anticipated arrested (more details here by the brilliant Brian Hioe) for corruption related to the Core Pacific City Mall project.
Facebook user postIG user post
The first use of the punny homonym is reported to have been the following Facebook Post by 農傳媒 (an agricultural news agency):
They used the caption 「雞鴨來了」（Chicken and duck are here! / 羈押來了 The arrest has come）to introduce a new chicken and duck breeding scheme in the wake of Ko’s arrest.
Xiaola style Cantonese biandang stores have also jumped on the opportunity by selling chicken and duck biandangs according to one of my colleagues.
I found this Ministry of National Defense poster in the run up to the 7th National Senior High School Honor Guard Competition at Chiang Kai-Shek Memorial Hall (Liberty Square) kind of interesting, in that it incorporates some Japanese in the form of a pun.
The main slogan on the sign reads:
愛國儀級棒
Patriotism is the best!
This is a bit of word play on the Japanese term いちばん（一番） meaning “the best” or “number one”. This is normally transliterated into Mandarin as 「一級棒」, but in the sign, the 「一」 (yī/one) has been substituted for the 「儀」（yí/ceremonial) of “Honor Guard” （儀隊）.
I know I have a penchant for over-interpreting, and this is likely an attempt (alongside the manga-esque figures on the poster) at appealing to manga-loving Taiwanese teens, BUT… this does seem pretty layered.
The ROC Armed Forces have a traditional association with the 外省/waisheng (post-1949 Chinese immigrant population), who often exhibit anti-Japanese sentiment (see previous blog post here). This is because the army had fought the Japanese in China prior to fleeing to Taiwan with Chiang Kai-Shek (a memorial to whom is actually facing this sign). Perhaps then the younger generations within the Ministry of National Defense and the ROC Army are less hung up on these issues and are appealing to a broader church? (This is the over-interpreting part).
Incidentally, the memorial has been subject to inter-party squabbles for quite some time. The square was originally called Chiang Kai-Shek Memorial Hall, but in 2007, amid objections from KMT Mayor Hau Lung-pin (郝龍斌) and ex-mayor and then presidential candidate Ma Ying-jeou (馬英九), the inscription on the iconic arches was changed from 「大中至正」(a classical Chinese reference which contains 「中正」, one of the many names taken by Chiang Kai-shek) to 「自由廣場」. However, as the KMT were still in control of the Taipei City Government at the time, the MRT and the general public continue to refer to it as Chiang Kai-shek Memorial Hall. The name of the hall itself was also changed briefly from 2007-2009 to “National Taiwan Democracy Memorial Hall” before changing back. The current Mayor of Taipei, Wayne Chiang （蔣萬安） is believed to be the great-grandson of Chiang Kai-shek, so this thorny tale is sure to continue into the future.
The Taiwanese language has a lot of imported words from Japanese, but one of the most common and fun is “Asaburo” (often transliterated into Chinese as 「阿薩布魯」) used to refer to something messy or chaotic. Like, for example in this article:
The early-warning radar deployed on Dongyin Island isn’t a hodge-podge of low-grade copper and shoddy tin, but is rather an AN/FPS-117 3-dimensional air search radar, like those watching over the northern and southern extremes of Taiwan from an altitude of over 1,000 meters above sea-level at the Songshan and Dahanshan radar stations.
The funny thing about this word, however, is that in Japanese (朝風呂/あさぶろ/asaburo) it only refers to morning baths.
The running theory in Taiwan (and among my colleagues when I discussed it with them) is that this word was adopted to mean messy, as the idea of bathing in the morning is a messy thing to do. This touches on a bit of a cultural difference between Taiwan and the UK/Ireland as, although I remember having a bath every night before bed as a child, it was the norm for my entire family to shower in the morning before school/work once we were old enough to wash ourselves. In Taiwan, the general idea is that you should be clean when you go to bed, whereas in the UK/Ireland the general idea is that a shower in the morning wakes you up. If you’ve ever lived with a Taiwanese person, you’ll register their dismay if you choose to shower in the morning instead of before bed.
You can always shower twice a day, especially during the humid summers in Taiwan, to keep everyone happy.
I also found this list of Japanese imported words on the internet, if you want to broaden your vocabulary (unfortunately the blog has been deleted, so have used the wayback machine to find it):
The use of Taiwanese in this Ministry of Foreign Affairs post struck me as interesting. As the term 「換帖」 exists in Mandarin too, they used romanized script to ensure that it is read in Taiwanese. I guess this makes it harder for people in a certain country to work out what it’s supposed to mean, but I also wonder how many Taiwanese people would catch on:
「可以說是台灣的uānn-thiap–ê 的柯寧參議員」
You could say Senator Cornyn is bosom buddies with Taiwan.
“uānn-thiap–ê” describes a close friendship formed by a blood-brothers style pact, wherein two friends exchange cards with information on each other (name, age, place of origin, family history), to forge a kinship. Now it’s used to describe good friends.
Another, more common term to describe a close friend is 「麻吉」. The term is pretty common and was even used for the title of the film Ted in Taiwan 《熊麻吉》:
There are several folk morphologies for this term, from the stickiness of mochi cakes (pronounced similarly in Taiwanese/ muâ-tsî) to a corruption of the word 「默契」 (though no clear reason for the corruption is given). The most convincing theory is that it’s a corruption of the English word “match” in Taiwanese. Whatever its origin, it’s a pretty handy word to use and will let everyone know that you’re in touch with the popular culture references of 10 years ago.
I’ve been hearing the phrase 「是在哈囉」 for a while now. The most recent case of which was a while back when a Taiwanese friend responded to a former member of the diplomatic service who wrote tell-all posts on his Facebook lodging his complaints about his former colleagues.
According to this handy slang guide from Business Next, the phrase takes its origin from when Americans say “Hello~~~?” (wavy intonation) to mean “What the f*ck is going on with you?”. Originally I’d thought the phrase meant attracting attention just for the sake of courting controversy, but according to the Business Next interpretation, it’s basically “up to f*ckery” or “behaving or acting bizarrely”.
中天 (whoops) posted this video suggesting that lots of people don’t really know what it means but get the general gist:
As with much slang, different people use it in different ways and it evolves over time (see the varying interpretations of 「三八」 to start your journey down the rabbit hole), so I thought I’d pick a few random examples of its use from across the internet so that you can troll strangers without nagging doubts about the appropriateness of your cutting remark on their new Instagram pics.
Even Minister of Foreign Affairs Joseph Wu has apparently employed the phrase when questioning the actions of the WHO:
Do these people live in a parallel universe? What the hell is going on?
A Taiwanese soap star Brent Hsu also made the Taiwanese version of the phrase popular in the Taiwanese drama Proud of You (《天之驕女》):
In the phrase 「洗嘞哈囉」, the character 「洗」 is used to represent the pronounciation of the character 「是」 sī in Taiwanese, and the character 「嘞」”lei” in Mandarin and “leh” in Taiwanese represents the Taiwanese character for 「在」 (to be doing s.t.). Then the 「哈囉」 is just a representation of the borrowing of the word Hello from English.
As you can see many of these posts are from last year or the year before, so expect saturation with this phrase at some point and a few rolled eyes if you use it at this point.
Another way to say “What the f*ck!?” in Taiwan is to use the phrase 「花若發」 (huā ruò fā) which is an approximation of the sound of the English phrase (What the f*ck) using Chinese characters (and Mandarin pronounciation).
The message this film seemed to want to convey was of a tragic unrealized potential of love between two high school guys because the time (1988, just after the end of Martial Law in Taiwan) was not yet right for their love to flourish. The narrative that it seems like we’re supposed to read into the film is that, out of his love for Jia-Han, Birdy pretends not to love Jia-Han back and pursues a female classmate called Banban in order to try and give Jia-Han the opportunity to live a “normal life”.
If we examine the events that actually take place in the film, however, it’s clear Jia-Han crosses boundaries on several occasions, kissing Birdy when he’s asleep. Birdy, in appearance at least, is in love with a female classmate called Banban and is increasingly uncomfortable with Jia-Han’s jealousy and attempts to intervene in his love life.
This culminates in a scene in which, under the pretext of helping Birdy shower, Jia-Han forcibly masturbates him when he’s unable to defend himself due to his injury. The narrative it seems we’re supposed to read into this is that Birdy’s erection is a manifestation of the love he has for Jia-Han that he’s sacrificing for Jia-Han’s own good. This is not a reasonable deduction to make, although it may be a major theme of Japanese porn. Birdy did not consent and repeatedly tries to fend off Jia-Han’s advances. Even if this is some (rather convoluted) act of gallantry by which Birdy sacrifices his own feelings for Jia-Han so that Jia-Han can live as a model straight citizen in society (this is a major break in character for him given his constant impulses throughout the film to defend gay people, including a younger Chi Chia-wei), no means no. From Jia-Han’s perspective at this point in the movie, Birdy could very well be a straight man who is sympathetic to the disgusting way gay characters in the movie are being treated.
The film romanticizes an obsessive jealous idea of what love is, although to some extent the Canadian priest tries to deter Jia-Han from the pursuit of this unrequited love.
The ending of the film echoes this dynamic of teasing and violation of consent, with a middle-aged Jia-Han asking Birdy to come up to his hotel room, only to be refused, but then insisting on walking to Birdy’s hotel room instead, despite the rejection being quite clear.
In my imagination of the end of the film, Jia-Han walks with Birdy to his hotel, asks to come up and is politely rejected again, roll credits. This film left me uncomfortable and to some extent I think if Jia-Han had been cast as a less jaw-droppingly handsome actor, the creepiness would have been more noticeable.
It’s definitely worth a watch, but perhaps we can read it as the unreliable narration of a stalker, rather than a romantic film.
OK, so I couldn’t let a film go by without spotting an interesting bit of Taiwanese. One phrase which stuck with me was 「坩仔」 khaⁿ-á (lit. crucible) which is a contraction of 「坩仔仙」 khaⁿ-á-sian (fairy of the crucible) which is a derogatory term for a male homosexual. You can read a debate about what the term used actually is on ptt here.
I heard the phrase 「有紅花也要有綠葉」 in a conversation between two colleagues in the tea room about a prospective KTV session. The guy was singing as he made his coffee, and the other colleague asked why he was so happy. He replied that it’s not that he’s super happy but that given the arrival of a new colleague, he’s looking forward to a KTV sesh. The colleague replied modestly that she is silent as the grave in KTV sessions. The guy then said in jest 「有紅花也要有綠葉」 (lit. You can be the green leaves that set off the red flower). This is used as a metaphor for how a great musician/great actor needs supporting musicians/actors for their performance to be carried off, which made me think of the microaggression that is Bette Middler’s song “The Wind Beneath My Wings”. Of course, he followed it up with a 「沒有啦」 to ensure his modesty was in tact, before blasting another view verses of the song he’d been rehearsing.
It’s always fun to hear a piece of vocab you’ve learned previously in the wild.
When listening to the 「股癌」 (GooAye) podcast I heard the phrase 「佛系」 (Buddhist/noninterference approach) which is a variant of the 「佛系……法」 (Buddhist/noninterference approach to…) phrase I featured in a previous post here.
“Don’t try and explain rises and falls, but I’ve found that some people have taken what I said to the extreme, and they don’t try and look for reasons at all. It’s like they’re dedicated to noninterference and freedom.”
Here he is cautioning people not to try and try and explain short term rises and falls in stock prices, but then qualifying this by saying that they can look for longer term reasons for price rises and falls.
From listening over the last few months, I found out that the guy behind the podcast was hopeful that Trump would win the election, although his reasons are largely to do with financial policy. The podcast is definitely worth listening to for insights on Taiwanese society and the business world as well as analysis of trends in stocks and shares.
In the same week, the phrase also came up in the 台通 (Commute For Me) podcast in an interview with the spokesperson of the Taiwan Statebuilding Party (台灣基進) Chen Po-wei (陳柏惟), who led the recall petition movement against Han Kuo-yu (from 12:33 or -41:31):
Host: 那你有得到正面的回饋啊。 陳柏惟：對啊。所以那個不是自我說服唉，我覺得那個是有時間的過程。那個不是坐在家裡瞑想佛系態度。 Host: So you got positive feedback. Chen Po-wei: Yes. So I don’t think it was me convincing myself, I think it happened over time. It wasn’t like I was sitting at home meditating hoping that things would just fall in my lap.
This is also a reference to the 佛系 memes, which play on the Buddhist concept of noninterference that I featured in the previous post.
Chen also used the Taiwanese word 「𨑨迌／企投 」chhit-thô featured in a previous post as well at the 21:57 (-32:07) point. Although I only mentioned these two, there are lots of gems in this interview and it’s definitely worth a listen.
You have to respect a gay male podcast host for doing an entire episode on middle-aged and elderly lesbians! That’s exactly what the WetBoyRoom ( 「潤男的Room」) podcast host did this week, interviewing the contributors to a book about this subject called 《阿媽的女朋友》 (Grandma’s Girlfriends), lesbians from older generations in Taiwan.
If you’re not super familiar with the lesbian scene in Taiwan, many of them of about my generation (30s) tend to identify as either 「T」 (short for the English word “Tomboy”) or 「婆」 (lipstick lesbian). With time, the lines between these categories have blurred just as they have in the male gay community, and many people now consider these terms outdated and being a heteronormative way of perceiving gay relationships (i.e. trying to figure out who is “the man” and who is “the woman” in the relationship). It was interesting to hear in the podcast that this dichotomy was actually a more recent phenomenon in the lesbian community, but a Taiwanese term in the podcast really peaked my interest. At the 10:55 mark, one of the characters is described (in a Mandarin sentence) in Taiwanese as 「漂撇 ê 穿 褲 仔」phiau-phiat ê chhēng khò͘ á (瀟灑的穿褲子/ dashing trouser-wearer). Although I think the host actually said 「穿褲ê」, 「穿褲仔」 or girls who wore trousers, could be identified more easily as lesbians (if they were in fact lesbians) back in the day. So, it can be considered as an older version of the concept of 「T」.
Another handy Taiwanese term in the podcast (which you could likely insert in a Mandarin sentence to compliment a dinner-party host, or, more likely, to mock your friend’s paltry offering of a packet of Lays as an hors d’oeuvre) is 「腥臊」 chhe-chhau (also pronounced chheⁿ-chhau or chhiⁿ-chhau), which is equivalent to the term 「豐盛」 in Mandarin, meaning “rich and sumptuous”:
I heard this joke referenced on yesterday’s Commute for Me (臺通) podcast. The host didn’t actually tell the whole joke, but just the punchline:
「有兩個人一起生活 一個名叫詠蘭，另一個名叫貢九 詠蘭負責打獵，貢九則是負責在家煮飯做事 有一天，家裡發生大火，有人就趕快去通知在外打獵的詠蘭，要詠蘭快去叫貢九逃。 詠蘭叫貢九逃 用懶叫打石頭(台語)」 (I found the original joke on Dcard here).
(“There were once two people who lived together, one was called Yonglan (詠蘭) and the other was called Gongjiu (貢九). Yonglan took responsibility for hunting, while Gongjiu cooked at home and did the chores. One day there was a big fire in the house, so someone quickly went to find Yonglan, who was out hunting, to tell Gongjiu to flee. Yonglan told Gongjiu to flee.”)
Haha, right? (*smile, nod and no-one will notice you didn’t get it*). Yes, the joke doesn’t work in English because it plays on the differences between Mandarin and Taiwanese. So the phrase 「詠蘭叫貢九逃」(yǒnglán jiào gòngjiǔ táo / “Yonglan tells Gongjiu to flee”) in Mandarin, sounds like the Taiwanese 用 lān鳥 摃 石頭 iōnglān-chiáukòngchio̍h-thâu (“Using your penis to hit rocks”). Brings back the heady whiff of teenage angst and high school locker rooms, right?
You can listen to one of the hosts telling this joke on the podcast below from the 9:38 point:
(“I’ve forgotten the ins and outs of the story, but, there’s a sentence at the end. Yonglan is one of the characters, and her aunt is Gongjiu. And so, YongLan tells Gongjiu to flee. Which sounds like “Using your penis to hit rocks” in Taiwanese.
