Was flicking through some notes yesterday and found this handy pitch guide for the different tones in Taiwanese – handy in the sense that it may be of use to some people other than pitch deaf me. The first line is the character; the second line is the romanization; the third line is the linguistic description of the kind of tone it is in Chinese along with the number commonly attributed to the tone in superscript (note that fourth tone changes when it ends in a glottal stop or with p t or k); the fifth line represents how the tone changes when used before the final character in a clause. Continue reading →